Axel Burrough, a visionary architect and a key figure in the fusion of space-age design and mainstream architecture, has passed away at 79. His work, particularly his design of the Royal Exchange theatre in Manchester, stands as a testament to his innovative spirit and commitment to creative reuse. Burrough's approach to architecture was characterized by a unique blend of technical precision and artistic flair, often tackling seemingly intractable problems with thoughtful solutions. His ability to transform existing structures into dynamic spaces, such as the conversion of a burnt-out Victorian school into Birmingham's Ikon Gallery, exemplifies his dedication to creative reuse and historic building preservation.
One of Burrough's most iconic projects was the Royal Exchange theatre. This heptagonal theatre-in-the-round, housed within an ultra-modern structure of tubular steel and glass, was inspired by Nasa's lunar lander. The design, which Burrough worked out on a Sinclair scientific calculator, created a compelling visual and experiential contrast between the old and the new. The theatre, seating 750 people within 10 meters of the stage, was opened in 1976 by Laurence Olivier and has since retained the affections of Mancunians, being voted their favorite building in the city.
Burrough's expertise extended beyond the Royal Exchange. As a director of Levitt Bernstein, he led a series of major arts and cultural projects, including the remodelling of St Luke's church in London. The church, originally designed by Nicholas Hawksmoor, had suffered from settlement problems and was in a state of dereliction. Burrough's innovative solution involved using four massive steel columns to support a new roof, independent of the original walls, creating a square within the rectangular plan. This project not only preserved Hawksmoor's distinctive obelisk spire but also transformed the church into a dynamic performance and rehearsal space for the London Symphony Orchestra.
Burrough's commitment to the arts and cultural preservation was further demonstrated through his work on various theatres and performance spaces. He became a recognized expert in theatre design, particularly in Georgian theatres, and was a trustee of the Theatres Trust and a board member of the Almeida Theatre. His later projects, such as the King's Lynn Corn Exchange and the Bristol Beacon concert hall, showcased his ability to blend historical structures with modern design, creating spaces that are both functional and aesthetically pleasing.
What makes Burrough's work particularly fascinating is his ability to find thoughtful solutions to seemingly intractable problems. His projects, such as the conversion of a burnt-out Victorian school into the Ikon Gallery and the remodelling of St Luke's church, demonstrate his commitment to creative reuse and historic building preservation. In my opinion, Burrough's legacy lies not only in his architectural achievements but also in his ability to inspire future generations of architects to think creatively and to find innovative solutions to complex design challenges.
Burrough's passing marks the end of a remarkable career that has left an indelible mark on the architectural landscape. His work will continue to inspire and influence architects and designers for years to come, serving as a reminder of the power of creativity and innovation in shaping our built environment.
